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January 26-29, 2027

Best enjoyed by Preschool-Grade 2

Student Matinees

RESERVE YOUR FIELD TRIP

Young Yeila dreams of being a superstar, but her stage fright keeps getting in the way. When she visits her grandmother in Cuba, she discovers a whole new rhythm—adding a salsa spark to her hip-hop style. In this lively, audience-participation play, one dynamic actress brings three generations of spirited women to life. As Yeila learns about her roots, she finds the confidence to shine. Filled with music, movement, and plenty of chances to dance along, this joyful story celebrates culture, family, and the power of believing in yourself. 

Written, choreographed, and performed by Paige Hernandez
With original music by Nick “Nick tha 1da” Hernandez and Kris Funn 
Director: Danielle Drakes 
Set Design: Kris Funn 
Projections: Paige Hernandez / Ruthmarie Tenorio 
Commissioned by Wolf Trap Institute for Early Learning, VA

Developed by Playhouse Square, OH 

  • Run time

    1 hour without an intermission

  • Best enjoyed by

    Preschool-Grade 2

  • Stage

    Cargill Stage

  • Educator Guide coming soon!

About the Show


  • Havana Hop is performed by one adult actor. This audience-participation play offers many opportunities to dance along to salsa and hip-hop music.
  • This production takes place on our Cargill Stage which seats up to 298 people per performance.
  • We know that teachers are the best judge to determine the right fit for their unique group of students. We recommend Havana Hop for students in preschool-grade 2.

Content Advisories


Language: 0 out of 5 stars
The play is in English, but the audience learns several Spanish words.

Themes and Situations: 1 out of 5 stars
Abuela experiences memory loss as a symptom of Alzheimer’s Disease, which is explained in the play.

Violence and Scariness: 0 out of 5 stars

Sensory Advisories: 2 out of 5 stars
There are several moments in the show where the audience is encouraged to repeat words and movement sequences. Some audiences can get quite loud.

Potentially Anxious Moments: 1 out of 5 stars
Audience interaction is encouraged. Yeila experiences stage fright and has anxiety about auditioning.

Full Plot Description

This is a complete description of the play, so it is full of spoilers.


The play begins with Yeila engaging the audience. She teaches them to wave their hands in response to a mysterious sound, creating an interactive atmosphere. Excited about performing at the Cherry Blossom Festival in Washington DC, Yeila reveals her anxiety about auditioning, especially due to her stage fright.

To boost her confidence, she performs an energetic hip-hop dance and rap about self-love. At the audition venue, Yeila leads a warm-up session to energize everyone. However, when it’s her turn to audition, she freezes up. The judges still offer her a spot in the festival, but she must first explore her cultural roots.

Yeila rushes home to share her day, only to find her mother distressed over Yeila’s grandmother, Abuela, who has Alzheimer’s and is losing her memories. Yeila learns from her mother about the importance of roots—raíz in Spanish—as a connection to heritage and self-discovery. Inspired, Yeila decides to research her Cuban culture with her mother’s help.

They plan a trip to Cuba, inviting the audience to join them on an interactive flight. Upon arriving in Havana, Yeila is enchanted by the sights and sounds. She creates a beat from her surroundings and starts speaking in Spanish. Her mother encourages the audience to engage in a bilingual call-and-response.

In Abuela’s courtyard, Yeila hears the mysterious sound again, realizing it represents her roots. She calls out for Abuela, who initially responds with confusion. After some coaxing and the mention of salsa dancing, Abuela begins to remember. Yeila’s mother leads the audience in a song that highlights the letters of Cuba—C for Culture, U for Unique, B for Beautiful, and A for Amazing—helping Abuela regain her memories.

As Abuela reconnects with her heritage, she inspires Yeila for her festival performance. Abuela gives Yeila a flower for inspiration,  and Yeila returns to DC for the festival. Backstage, she finds comfort in the presence of her mother, Abuela, and her new friends.

On stage, Yeila performs a vibrant dance that celebrates her roots and newfound confidence. The play closes on a triumphant note that emphasizes the power of cultural pride, identity, and self-acceptance.

Extend the Experience


in person or virtual

Workshops & Residencies


CTC transforms the classroom through multi-disciplined interactive workshops that spark creativity, encourage collaboration, and inspire action. Professional teaching artists facilitate engaging and inclusive learning opportunities for students while personalizing each experience to the needs and interests of your students and the learning goals of your classroom.

More Information

Havana Hop Student Matinee

January 26-29, 2027

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Friday

Jan 29

10:30am

Currently unavailable